Ecco di seguito tutti i nominati agli Motion Picture Sound Editors Golden Reel Awards 2023, i premi del sindacato degli ingegneri del suono che lavorano nell’industria hollywoodiana. Mai come in questo caso, le categorie per questa gilda sono estremamente specifica e variegate, a sottolineare l’importanza e la varietà del lavoro svolto dal suono nell’intrattenimento audiovisivo.
Outstanding Achievement in Sound Editing – Broadcast Animation
- “Jurassic World: Camp Cretaceous: The Last Stand” – DreamWorks Animation: Supervising Sound Editors: Rob McIntyre, D.J. Lynch, Sound Designer: Evan Dockter, Sound Effects Editor: Adam Cioffi, Dialogue Editor: Anna Adams, Foley Editor: Aran Tanchum, Foley Artist: Vincent Guisetti.
- “Love, Death & Robots: In Vaulted Halls Entombed” – Netflix: Supervising Sound Editor: Brad North MPSE, Foley Editor: Antony Zeller MPSE, Foley Artists: Zane Bruce, Lindsay Pepper.
- “Tales of The Jedi: The Sith Lord” – Disney: Supervising Sound Editors: David W. Collins, Matthew Wood, Sound Effects Editors: Kevin Bolen, Michael Brinkman, Foley Supervisor: Frank Rinella, Foley Artists: Margie O’Malley, Andrea Gard, Sean England.
- “Transformers: Earthspark: “Age of Evolution” – Nickelodeon: Supervising Sound Editors: Brad Meyer MPSE, Sound Effects Editor: Natalia Saavedra Brychcy MPSE, Dialogue Editor: Christine Gamache, Foley Editor: Carol Ma.
Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR
- “Better Call Saul: Saul Gone” – AMC: Supervising Sound Editors: Nick Forshager MPSE, Kathryn Madsen MPSE, Dialogue Editor: Jane Boegel
- “The Crown: Gunpowder” – Netflix: Supervising Sound Editor: Lee Walpole MPSE Supervising Dialogue Editor: Iain Eyre Supervising ADR Editing: Matt Mewett
- “The Lord of the Rings: The Rings of Power: Udûn” Amazon: Supervising Sound Editors: Robby Stambler MPSE, Damian Del Borrello MPSE, Dialogue / ADR Supervisor: Stefanie Ng, Dialogue Editors: Ailene Roberts MPSE, Ray Beentjes, ADR Group Editor: Gareth Van Niekirk.
- “Severance: The We We Are” Apple TV+: Supervising Sound Editor: Jacob Ribicoff MPSE
ADR Editor: David Briggs, Dialogue Editor: Gregg Swiatlowski. - “Stranger Things: Chapter Seven: The Massacre at Hawkins Lab” – Netflix: Supervising Sound Editors: William Files MPSE, Craig Henighan MPSE, Dialogue / ADR Supervisor: Ryan Cole MPSE, Dialogue Editors: Korey Pereira MPSE, Jill Purdy MPSE, David Butler, Polly McKinnon, Rob Chen.
Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley
- “Andor: Reckoning” – Disney: Supervising Sound Editors: David Acord, Margit Pfeiffer,
Sound Effects Editor: J.R. Grubbs, Foley Editor: Shaun Farley MPSE, Foley Artists: John Roesch MPSE, Shelley Roden MPSE, Sound Designer: David Acord - “Better Call Saul: Carrot and Stick” – AMC: Supervising Sound Editors: Nick Forshager MPSE, Kathryn Madsen MPSE, Sound Effects Editors: Matt Temple, Marc Glassman MPSE,
Foley Artists: Gregg Barbanell MPSE, Alex Ullrich - “Gaslit: Year of the Rat” – Starz: Co-Supervising Sound Editors: Kevin W. Buchholz, Stefani Feldman MPSE, Sound Effects Editors: Dan Kremer MPSE, Adam Parrish King, Foley Editors: Sam Munoz, Jordan Aldinger, Foley Artists: Jacob McNaughton, Noel Vought.
- “The Lord of the Rings: The Rings of Power Udûn” – Amazon, nSupervising Sound Editors: Damian Del Borrello MPSE, Robby Stambler MPSE, Sound Designer: Paula Fairfield MPSE
Sound Editors: James Miller, Chris Terhune, Gareth Van Niekerk, Ryan A. Sullivan, Goeun, Everett MPSE, Foley Editor: Richard Wills, Jonathan Bruce, Amy Barber, Foley Artist: Jonathan Bruce - “Stranger Things: Chapter Seven: The Massacre at Hawkins Lab” – Netflix: Supervising Sound Editors: William Files MPSE, Craig Henighan MPSE, Sound Editors: Angelo Palazzo, MPSE, Ken McGill, Katie Halliday, Lee Gilmore MPSE, David Grimaldi, Chris Bonis, Foley Artist: Steve Baine
Outstanding Achievement in Sound Editing – Broadcast Short Form
- Barry: “710N” – HBO: Supervising Sound Editors: Sean Heissinger, Matthew E. Taylor, Sound Designer: Rickley W. Dumm MPSE, Sound Editors: Deron Street, Candice Brunello, Charles Campagna, Dialogue Editor: John Creed MPSE, Supervising Foley Editor: Clay Weber MPSE, Foley Editor: Darrin Mann, Foley Artists: Alyson Dee Moore MPSE, Chris Moriana.
- “The Bear: Review” – FX: Supervising Sound Editor: Steve “Major” Giammaria, Sound Effects Editor: Jonathan Fuhrer, Dialogue Editor: Evan Benjamin, Foley Editor: Annie Taylor, Foley Artist: Leslie Bloome.
- “Only Murders in the Building: Framed” – Hulu: Supervising Sound Editors: Mathew Waters, Danika Wikke MPSE, Supervising Dialogue Editor: Borja Sau, Sound Effects Editor: Eric Offin, Foley Editor: Arno Stephanian MPSE, Foley Artists: Sanaa Kelley MPSE, Adam DeCoster.
- “She Hulk: Ribbit and Rip It” – Disney: Supervising Sound Editor: Mac Smit, Sound Designer: Steve Bissinger Sound Effects Editors: Tim Farrell, Goeun Everett MPSE, Dialogue / ADR Supervisor: Vanessa Lapato, Dialogue Editor: Ryan Cota MPSE, Foley Supervisor: Joel Raabe, Foley Editor: Ian Chase, Foley Artists: Sean England, Andrea Gard, Conforming Editor: Kim B. Christensen.
- “Wild Babies: Big Families” – Netflix: Supervising Sound Editor: Matt Coster, Sound Effects Editors: Matt Coster, Ben Wood, Sound Designers: Matt Coster, Ben Wood, Foley Editors: Matt Coster, Ben Wood.
Outstanding Achievement in Sound Editing – Feature Animation
- “DC League of Super-Pets” – Warner Bros. Animation: Supervising Sound Editors: Bill R. Dean MPSE, Ando Johnson,Sound Designer: Erick Ocampo, Sound Effects Editors: Chris Battaglia MPSE, Kip Smedley, Supervising Dialogue Editor: Stephanie Brown, Dialogue Editor: Chase Keehn, Supervising Foley Editor: Jessie Pariseau, Foley Editor: Bruce Tanis MPSE, Foley Artists: Alyson Dee Moore MPSE, Christopher Moriana.
- “Guillermo del Toro’s Pinocchio” – Netflix: Supervising Sound Editor: Scott Martin Gershin MPSE, Sound Effects Editors: Masanobu “Tomi” Tomita, Andrew Vernon MPSE, Dan Gamache MPSE, Dialogue Editor: Dan Gamache MPSE, Foley Artists: Dan O’Connell, John Cucci MPSE.
- “Lightyear” – Disney Animation: Supervising Sound Editor: Coya Elliott, Sound Designer: Ren Klyce, Sound Effects Editors: Kimberly Patrick, Jonathon Stevens, Benjamin A. Burtt, Dialogue Editor: Cheryl Nardi, Foley Editors: James Spencer, Dee Selby, Foley Artists: Shelley Roden MPSE, John Roesch MPSE.
- “Puss in Boots: The Last Wish” – DreamWorks Animation: Supervising Sound Editors: Jason W. Jennings, Julian Slater MPSE, Sound Designer: Tim Walston MPSE, Sound Effects Editor: Ken McGill, Dialogue Editor: Mia Stewart MPSE, Supervising Foley Editor: Paul Pirola.
Outstanding Achievement in Sound Editing – Feature Documentary
- “Good Night Oppy” – Amazon: Supervising Sound Editor: Mark Mangini MPSE, Supervising Dialogue Editor: Dave Bach, Sound Designers: Tim Walston MPSE, Dave Whitehead MPSE, Mark Mangini MPSE.
- “Louis Armstrong’s Black and Blues” – Apple TV+: Supervising Sound Editor: Leslie Shatz, Sound Designer: Leslie Shatz, Supervising Dialogue Editor: Jon Flores.
- “Moonage Daydream” – Neon: Supervising Sound Editor: Nina Hartstone, Sound Designers: Samir Foco, James Shirley, Sound Editor: Louise Burton MPSE.
- “The Territory” – National Geographic: Supervising Sound Editors: Rune Klausen, Peter Albrechtsen MPSE, Sound Designers: Rune Klausen, Peter Albrechtsen MPSE, Sound Effects Editors: Mikkel Nielsen, Tim Nielsen, Dialogue Editors: Sebastian Vaskio, Guilherme Tortolo Magrin, Foley Editor: Pietu Korhonen, Foley Artist: Heikki Kossi, MPSE.
Outstanding Achievement in Sound Editing – Foreign Language Feature
- “All Quiet on the Western Front” – Netflix:
- Supervising Sound Editor: Frank Kruse
- Sound Designer: Markus Stemler,
- Supervising Dialogue Editor: Alexander Buck,
- Supervising ADR Editors: Benjamin Hörbe, Alexander Buck,
- ADR Editors: Thomas Kalbér, Moritz Hoffmeister,
- Foley Editor: Kuen Il Song,
- Foley Artists: Carsten Richter, Daniel Weis.
- “Argentina, 1985” – Amazon:
- Supervising Sound Editor: Santiago Fumagalli,
- Sound Effects Editors: Juan Ignacio Giobio, Nahuel De Camillis,
- Dialogue Editor: Ignacio Seligra,
- Foley Editor: Nicolás Mannara,
- Foley Artist: Diego Marcone,
- Music Editor: Stephen M. Davis.
- “Bardo, False Chronicle of a Handful of Truths” – Netflix:
- Supervising Sound Editors: Martín Hernández, Nicolas Becker,
- Sound Designer: Ken Yasumoto,
- Sound Effects Editors: Alejandro Quevedo, Jaime Sainz, Carolina Santana,
- Dialogue Editors: Valeria López Mancheva, Raynier Hinojosa, Omar Blanco,
- ADR Editors: Alitzel Diaz, Daniel Douglass MPSE,
- Foley Editors: Oscar Victoria, Pietu Korhonen, Alan Romero,
- Foley Artists: Heikki Kossi MPSE, Alan Romero.
- “EO” – Janus Films:
- Supervising Sound Editor: Radoslaw Ochnio MPSE,
- Sound Designer: Radoslaw Ochnio MPSE,
- Sound Editor: Marta Weronika Weronska,
- Foley Editor: Suraj Bardia MPSE.
- “The Quiet Girl” – Break Out Pictures:
- Supervising Sound Editor: Steve Fanagan MPSE
- Sound Designer: Steve Fanagan MPSE
- Sound Effects Editor: Steve Fanagan MPSE
- Dialogue Editor: Louise Burton MPSE
- ADR Editor: Louise Burton MPSE
- Foley Editor: Steve Fanagan MPSE
- Foley Artist: Caoimhe Doyle
- “Triangle of Sadness” -Imperative Entertainment:
- Sound Editors: Andreas Franck MPSE, Bent Holm MPSE, Gustav Landbecker, Johannes
- Dekko, Claes Lundberg, Benny Persson, Daniel Lindvik, Alexander Wunsch, Erik Watland
- Sound Designers: Andreas Franck MPSE, Bent Holm MPSE
- Foley Artists: Claes Lunderberg, Ulf Olausson
Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
“The Banshees of Inisherin” – Searchlight Pictures
Supervising Sound Editor: Joakim Sundström
Supervising ADR Editing: Simon Chase
Supervising Foley Editor: Rebecca Glover
Foley Artist: Julien Naudin
“The Batman” – Warner Bros. Pictures
Supervising Sound Editors: Douglas Murray MPSE, William Files MPSE
Dialogue Editor: Jacob Riehle
ADR Editors: Bobbi Banks MPSE, David V. Butler
“Elvis” – Warner Bros. Pictures
Supervising Sound Editor: Wayne Pashley MPSE
Supervising Dialogue Editor: Derryn Pasquill
ADR Supervisor: Libby Villa
Dialogue Editors: Nick Breslin, Marisa Marsionis, Lauren Ligovich
“Empire of Light” – Searchlight Pictures
Supervising Sound Editors: Oliver Tarney MPSE, Rachael Tate MPSE
“Everything Everywhere All At Once” – A24
Supervising Sound Editor: Brent Kiser MPSE
“Top Gun: Maverick” – Paramount
Supervising Sound Editors: Bjørn Ole Schroeder, James Mather, Al Nelson
Dialogue Editor: Chris Gridley
Dialogue Editors: Simon Chase, Matthew Hartman, Michael Maroussas, Gwendolyn Yates Whittle MPSE
ADR Editor: Gwendolyn Yates Whittle MPSE
Outstanding Achievement in Sound Editing – Feature Effects / Foley
- “Avatar: La Via dell’Acqua” – 20th Century Studios
- Supervising Sound Editor: Christopher Boyes
- Supervising Effects Editor: Brent Burge
- Sound Designers: David Chrastka, Dave Whitehead MPSE, Christopher Boyes
- Sound Effects Editors: Hayden Collow, Matt Stutter MPSE
- Foley Editors: Craig Tomlinson, Dee Selby
- Foley Artists: Dan O’Connell, John Cucci MPSE
- “The Batman” – Warner Bros. Pictures
- Supervising Sound Editors: Will Files MPSE, Douglas Murray MPSE
- Sound Designers: Chris Terhune, Lee Gilmore MPSE, Craig Henighan MPSE
- Sound Effects Editor: Diego Perez MPSE, Phil Barrie
- “Everything Everywhere All at Once” – A24
- Supervising Sound Editor: Brent Kiser MPSE
- “Jurassic World: Dominion” – Universal Pictures
- Supervising Sound Editors: Al Nelson, Gwendolyn Yates Whittle MPSE
- Sound Designers: Pete Horner, Gary Rydstrom MPSE
- Sound Effects Editors: Stuart McCowan, Benjamin A. Burtt, Scott Guitteau, Qianbaihui Yang MPSE
- Supervising Foley Editor: Luke Dunn Gielmuda
- Foley Editor: Coya Elliott
- Foley Artists: Jana Vance, Ronni Brown
- “Nope” – Universal Pictures
- Supervising Sound Editor: Johnnie Burn MPSE
- Sound Effects Editors: Simon Carroll, Brendan Feeney, Max Behrens, Ben Gulvin, Jeff
- Smith, Beresford Cookman
- Foley Editors: Natalia Lubowiecka MPSE, Ewa Mazurkiewicz
- Foley Artist: Jacek Wisniewski
- “Top Gun: Maverick” – Paramount
- Supervising Sound Editors: Al Nelson, James Mather, Bjørn Ole Schroeder
- Sound Designers: Christopher Boyes, Jed Loughran
- Sound Effects Editors: Benjamin A. Burtt, Scott Guitteau, Rowan Watson, Qianbaihui Yang MPSE
- Supervising Foley Editor: Luke Dunn Gielmuda
- Foley Editors: Dmitri Makarov, David Mackie
- Foley Artists: Jana Vance, Ronni Brown, John Roesch MPSE, Shelley Roden MPSE
Outstanding Achievement in Sound Editing – Non-theatrical Animation
- “The Ice Age Adventures of Buck Wild” – Disney
- Supervising Sound Editor: Leff Lefferts
- Sound Effects Editors: Shaun Farley MPSE, Chris Manning
- Dialogue Editor: E. Larry Oatfield
- Foley Artists: John Roesch MPSE, Ronni Brown, Sean England
- “Jurassic World: Camp Cretaceous: Hidden Adventure” – Netflix
- Supervising Sound Editors: Rob McIntyre, D.J. Lynch
- Sound Designer: Evan Dockter
- Sound Effects Editors: Adam Cioffi, Ian Nyeste, Cat Gensler, Roger Pallan
- Dialogue Editor: Anna Adams
- Foley Editor: Aran Tanchum
- “Lego Star Wars Summer Vacation” – Disney
- Supervising Sound Editors: David W. Collins, Matthew Wood
- Sound Designer: David W. Collins
- Sound Effects Editors: Kevin Bolen, Bill Rudolph
- Foley Supervisor: Frank Rinella
- Foley Editor: Eryne Prine
- Foley Artist: Margie O’Malley
- “Rise of the Teenage Mutant Ninja Turtles: The Movie” – Nickelodeon
- Supervising Sound Editor: Jeff Shiffman MPSE
- Sound Effects Editors: Jessey Drake MPSE, Brad Meyer MPSE
- Dialogue Editor: Xinyue Yu MPSE
- Foley Editor: Carol Ma
Outstanding Achievement in Sound Editing – Non-theatrical Documentary
- “Formula 1: Drive to Survive: Gloves Are Off” Netflix
- Supervising Sound Editors: Steve Speed, Nick Fry
- Sound Designer: James Evans
- Sound Editor: Hugh Dwan
- “George Carlin’s American Dream” HBO Max
- Supervising Sound Editor: Bobby Mackston
- Dialogue Editor: Miriam Cole
- Sound Effects Editor: Matt Temple, Joseph Beshenkovsky
- “Lucy and Desi” Amazon
- Supervising Sound Editors: Anthony Vanchure, Daniel Pagan MPSE
- Sound Effects Editor: Mike James Gallagher
- “Selena Gomez: My Mind and Me” Apple TV+
- Supervising Sound Editor: Anthony Vanchure
- Sound Designer: Mike James Gallagher
- Sound Effects Editors: Matt Olivo MPSE, Jeff Pitts
- Foley Artists: Luke Kelley, Sanaa Kelley MPSE
- “Tony Hawk – Until The Wheels Fall Off” HBO Max
- Supervising Sound Editor: John M Chalfant
- Sound Effects Editor: Chris Goodes MPSE
- Dialogue Editor: Andrew Rice
- “Trainwreck: Woodstock ’99: Kerosene, Match. Boom!” Netflix
- Supervising Sound Editor: Nas Parkash
- Sound Effects Editors: Will Chapman, Tristan Powell
- Dialogue Editor: Claire Ellis
Outstanding Achievement in Sound Editing – Non-theatrical Feature
- “Pinocchio” – Disney
- Supervising Sound Editors: Bjørn O. Schroeder, Leff Lefferts
- Sound Designer: Randy Thom MPSE
- Sound Effects Editors: Malcolm Fife, Pascal Garneau, Teresa Eckton MPSE, Goeun Everett MPSE
- Dialogue Editor: James Spencer
- Supervising Foley Editor: Christopher Manning
- Foley Editors: Chris Frazier, Dee Shelby
- Foley Artists: John Roesch MPSE, Shelley Roden MPSE
- “Prey” – Hulu
- Supervising Sound Editors: Chris Terhune, Will Files MPSE
- Sound Designer: James Miller
- Sound Effects Editors: Christopher Bonis, Diego Perez MPSE, Lee Gilmore MPSE
- Supervising Dialogue Editor: Jessie Anne Spence MPSE
- Dialogue Editors: David Bach, Korey Pereira MPSE
- Supervising Foley Editor: Annie Taylor
- Foley Editors: Nick Seaman, Roni Pillischer
- Foley Artists: Leslie Bloome, Shaun Brennan
- “Weird: The Al Yankovic Story” – Roku
- Supervising Sound Editor: Anthony Vanchure
- Sound Designer: Mike James Gallagher
- Foley Artists: Sanaa Kelley MPSE, Iris Dutour, Luke Kelley
- “Women of the Movement” – ABC
- Supervising Sound Editor: Bobbi Banks MPSE
- Sound Effects Editor: Nancy MacCleod
- Dialogue Editor: Fred Stahly
- Foley Artist: Sanaa Kelly MPSE
Outstanding Achievement in Music Editing – Broadcast Long Form
- “The L Word: Generation Q: Questions for the Universe” Showtime
Supervising Music Editor: Sharyn Gersh MPSE - “The Lord of the Rings: The Rings of Power: Alloyed” Amazon
Music Editors: Jason Smith, Michael Baber - “Severance: The We We Are” Apple TV+
Music Editors: Missy Cohen MPSE, Sam Zeines
Scoring Editor: Felipe Pacheco - “Stranger Things: Chapter Nine: The Piggyback” Netflix
Music Editors: Lena Glikson, David Klotz - “Wednesday: A Murder of Woes” Netflix
Music Editor: Michael T. Ryan MPSE - “The White Lotus S2: Bull Elephants” HBO
Supervising Music Editor: Mikael Sandgren
Outstanding Achievement in Music Editing – Broadcast Short Form
Love, Death & Robots: “Night of the Mini Dead”
Netflix
Music Editor: Jeff Charbonneau
“Pitch Perfect: Bumper in Berlin: Torschlusspanik”
NBC Universal
Music Editor: Andres Locsey
“Russian Doll: Matryoshka”
NBC Universal
Music Editor: Georgie Ramsland
“She-Hulk: Attorney at Law: Is This Not Real Magic?”
Disney / Marvel
Supervising Music Editor: Anele Onyekwere
Music Editors: Mary Parker, Leah Dennis, Zak Millman
Outstanding Achievement in Music Editing – Documentary
“Louis Armstrong’s Black and Blues”
Apple TV+
Music Editors: Louie Schultz MPSE, Jordan Wiggins, Alex Carr-Engler
“Moonage Daydream”
Neon
Supervising Music Editor: John Warhurst
Music Editor: Brett Morgan
“My Life as a Rolling Stone: Mick Jagger”
EpiX
Supervising Music Editors: Ben Newth, Nick Ashe
“The Way Down: Revelations”
HBO Max
Supervising Music Editor: Richard David Brown MPSE
Outstanding Achievement in Music Editing – Feature Motion Picture
“Elvis”
Warner Bros.
Supervising Music Editor: Jamieson Shaw MPSE
Music Editor: Evan McHugh
Scoring Editor: Chris Barrett
A24
Music Editors: Dean Menta, Luke Wilder, Katherine Gordon Miller
“Guillermo del Toro’s Pinocchio”
Netflix
Music Editors: Lewis Morison, Eric Caudieux
Scoring Editor: Chris Barret
“Tár”
Focus Features
Supervising Music Editor: Gerard McCann MPSE
“Whitney Houston: I Wanna Dance with Somebody”
TriStar Pictures
Supervising Music Editor: John Warhurst
Supervising Sound Editor: Nina Hartstone
Music Editors: James Shirley, Victor Chaga
Outstanding Achievement in Sound Editing – Game Dialogue / ADR
“Call of Duty: Modern Warfare II”
Infinity Ward
Audio Director: Stephen Miller
Audio Dialogue Lead: David Natale
Supervising Sound Editors: Charles Deenen, Nick Martin
Sr. Lead Audio Designer: Dave Rowe MPSE
Sr. Lead Technical Audio Designer: Tim Stasica
Expert Audio Designer: Chris Egert
Dialogue Editors: Darrell Tung, Mark Camperell CAS MPSE, Kerri Shak, Alex Knickerbocker, Ryan Ongaro, Amanda McDonnell, Charlie Gondak, Robert Weiss, Lenny Bedford, Joseph Mott, Josh Taylor, Michael Jukes, Josh Polhill, Cassie White, Myon Sample
Expert Dialogue Designer: Michael Spina
Sound Editors: Landen Belardes, Alexander Ephraim MPSE
“God of War Ragnarök”
Sony
Audio Director: Frank Favre
Supervising Dialogue Editor: Jodie Kupsco
Dialogue Designers: Heather Plunkard, Kevin McClelland, Tyler Held, Bianca Salinas, Dedrick Sarzaba, Jaime Marcelo, Ana Paola Velasquez Barrera, Andrea Contino, Briana Villarreal, Damian O’Sullivan, Monet Gardiner, Seira McCarthy, Shannon Deane, Katelyn Limber
Dialogue Editors: Kyle Richards, Declan Knapp, Caanan Nathaniel, Dale Curtis, Edward Towers, Paul James, Brad Rees, Helen Miles, James Doyle, James Battley
“Horizon Forbidden West”
Sony
Dialogue Director: Jochen Willemsen
Dialogue Designer: Erik Schuring
Dialogue Editors: Juan Manuel Delfin, Vincent van Rooijen, Nick van Noort, Sander Houtman, Nick Gratwick
“Immortality”
Half Mermaid
Audio Directors: Kevin Senzaki MPSE, Priscilla Snow
Dialogue Editor: Diana Cha
Outstanding Achievement in Music Editing – Game Music
“Call of Duty: Modern Warfare II”
Infinity Ward
Audio Lead: Stephen Miller
Music Director: JD Mayer
Sr. Lead Audio Designer: Dave Rowe MPSE
Sr. Lead Technical Audio Designer: Tim Stasica
Expert Audio Designer: Chris Egert
Music Editors: Sam Marshall, Raheem Frederick, Nicole Yazmin
“God of War Ragnarök”
Sony
Audio Directors: Peter Scaturro, Keith Leary
Supervising Music Editor: Sonia Coronado
Music Editors: Yuen Man Chung Kelvin, Glen Andrew Brown, Rob Goodson, Bill Hemstapat, Adam Kallibjian, Collin Lewis, Kory McMaster, Monty Mudd, Kye Sebastian Voce
“Horizon Forbidden West”
Sony
Audio Director: Bastian Seelbach
Music Supervisor: Lucas van Tol
Music Integration: Bastiaan van Bentum
“Immortality”
Half Mermaid
Audio Director: Priscilla Snow
Supervising Music Editor: Nainita Desai
Music Editor: Priscilla Snow
Sound & Music Implementer: Priscilla Snow
Scoring Editor: Nainita Desai
Audio Programmers: Connor Carson, Dylan Nelkin, Lizi Attwood
Outstanding Achievement in Sound Editing – Game Effects / Foley
“Call of Duty: Modern Warfare II”
Infinity Ward
Audio Directors: Stephen Miller, Ian Mika, Jonathan Gosselin
Audio Lead: David Natale
Supervising Sound Editors: Adam Boyd MPSE, Bryan O. Watkins, Charles Deenen, Nick Martin
Sr. Lead Audio Designers: Dave Rowe MPSE, Jeremiah Sypult
Sr. Lead Technical Audio Designer: Tim Stasica
Principal Sound Designer: Stuart Provine
Principal Audio Designer: Nicolas Tremblay
Expert Audio Designer: Chris Egert
Studio Audio Designer: Darren Blondin
Lead Sound Designer: John Drelick
Sr. Sound Designers: Brian Bibbo, Chris Staples, Corina Bello, Jake Harley, Lee Staples, Tim Schlie, Doug Prior
Sr. Audio Designer: Mathieu Denis
Sr. Technical Audio Designer: Robert Rice
Sr. Associate Audio Designer: Darrell Tung
Associate Technical Sound Designer: Elise Tankiewic
Associate Audio Designers: Jordan Ruhala, Victor Arias, Jim Lecroy, Steven Carroll
Audio Designer: Rudy Duro
Sound Designers: Alexander Ephraim MPSE, James Evans, Josh Moore, Matt Hall, Chris Terhun, Nick Interlandi, Tory Bader, Michael Krystek, Nick Martin
Sound Editors: Michael Spina, Landen Belardes, Russel Topal MPSE, Igor Comes, Rashaad Wiggins, Jim Schaefer, John Joseph Thomas, Mitchell Osias, Myon Sample
Supervising Foley Artist: Gary Hecker MPSE
Foley Editor: Randy Singer
Foley Artist: Michael Broomberg
“Destiny 2: The Witch Queen”
Axis Studios
Senior Audio Lead: Evan Buehler
Audio Lead: Skye Lewin MPSE
Supervising Sound Editors: Bryen Hensley MPSE, Adam Boyd MPSE, Braden Parkes
Sound Designers: Juan Uribe, Noah Sitrin, Paxson Helgesen, Keith Sjoquist, Zach Thomas, AJ Novak, Eric Moen, Jon Persson, Stosh Tuszynski
Foley Editors: Alvaro Vela, Lexie Guthan
Foley Artists: Transparent Sound, Katie Waters
“God of War Ragnarök”
Sony
Audio Director: Frank Favre
Senior Audio Artists: Jeremy Rogers MPSE, Michael Kent, Alex Previty, Beau Anthony Jimenez, Bryan Higa, Justin E. Bell, Nick Tomassetti, Stephen Schappler, Aaron Sanchez, Ash Read, Dennis Bestafka, Derrick Espino, Jeshua Whitaker, Lewis Everest, Noburo Masuda, Tsubasa Ito, Samuel Justice, Csaba Wagner, Ben Minto, Chris Sweetman
Audio Artists: Andres Herrera, Chris Kokkinos MPSE, Danny Barboza, Danny Hey, Kei Matsuo MPSE, Koji Niikura, Lewis Barn, Maria Rascon, Presley Hynes, Prin Keerasuntonpong, Robert Castro, Satsuki Sato, TJ Schauer, Harry Cohen MPSE, Luke Hatton, Michael Leaning, Barney Oram, Zachary Quarles MPSE, Stefan Rutherford, Paul Stoughton, Joe Thom, Graham Donnelly, David Farmer MPSE, Eilam Hoffman, Jason W. Jennings, Bryan Jerden, Fred Pearson, Stephano Sanchinelli, Thomas C. Brewer MPSE, Tim Walston MPSE
Technical Sound Designers: Sean LaValle, Cameron Sonju, Daniel Ramos, Enoch Choi, Gavin Booth, Roy Lancaster, Charles Dworetz, Bradley Gurwin, Mallorie Lesher, Dave St. Jean, Klaudia Schaffer, Aaron Cendan, Ashton Faydenko, Jessie Chang, Skylar Chen
Audio Programmer: Stepan Boev
Foley Editors: Blake Collins, Jeff Gross, Alex Robson
Foley Artists: Joanna Fang, Dawn Fintor, Alicia Stevenson
“Horizon Forbidden West”
Sony
Audio Director: Bastian Seelbach
Senior Audio Artists: Anton Woldhek, Pinar Temiz, Lewis James, Arjen Schut, Ramon Kerstens, Casey Slocum, Dennis Bestafka, Safar Bake, Jon Rook, Justin E. Bell, Aaron Sanchez, Eilam Hoffman, George Vlad, Ash Read
Audio Artists: Lovisa Bergdahl, Jacopo Consonni, Gijs Driesenaar, Robert Castro, Andres Herrera, Maria Rascon, TJ Schauer, David Goll, Lewis Everest, Lewis Barn, Fabio Liutina, Robert Kellough MPSE, Graham Donnelly, David Whitehead MPSE, Michelle Child, Tobias Poppe, Jonathan Howe
Audio Programmer: Andreas Varga
Technical Sound Designers: Nick van Kleef, Ruben Bergshoeff, Ben Pantelis
Foley Editors: Graham Donnelly, Mark Bailey, Shane Rees, Mauricio Nicoli, Emmanuel Gayosso, Tim McCann
Foley Artists: Blake Collins, Joanna Fang, Rustam Gimadiyev, Bogdan Zavarzin, David C Hughes, Stephano Sanchinelli, Jesse Barden, Alexis Mondragon, Patrick Lee, Wen Du
Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
“Ascent”
National Film & Television School
Supervising Sound Editor: Guldem Masa
“Brutal”
National Film & Television School
Supervising Sound Editor: Dan Hibbert
Enemy Alien
Australian Film Television and Radio School
Supervising Sound Editor: Jonathan Mendolicchio
“Entertain Me”
Amsterdam University of the Arts
Supervising Sound Editor: Sam Titshof
“Key of See”
Savannah College of Art and Design
Supervising Sound Editor: Manuel Simon
Foley Artists: Conor Van Slyke, George Allan
“Spring Roll Dream”
National Film & Television School
Supervising Sound Editor: Carlos Eligio San Juan Juanchi
“This is Your Captain Speaking”
Amsterdam University of the Arts
Supervising Sound Editor: Zoé Beekes
Dialogue Editor: Felicia Koolhoven
Sound Effects Editor: Teun Beumer
“Whiteboy”
National Film & Television School
Supervising Sound Editor: Oliver Mapp
